Gender is not Dichotomous: Part Two

Here is a mind-blower: blue for boys and pink for girls is a brand new concept, relatively speaking. In my musings about contrived gender concepts, it occurred to me recently that the pink/blue notion has an origin. Someone made that up!

It turns out that the origins are not terribly clear, but there is a lot of amazing information about at least some of the influences. First off, think back to photos you may have seen of babies in the early 20th century. They are usually wearing the standard white gown. Some of those babies are boys. Those gowns were fairly standard through most of the 1940’s, which means that even people as young as the Baby Boomers were not stamped with blue or pink upon birth.

To boot, it seems that the notion used to be that pink was for boys and blue was for girls. The thought was that pink is a shade of red, which is typically thought of as a strong and fiery color suitable (or perhaps desired more than suitable) for males. Blue is typically thought of as a softer color suitable (desired) for females. Saint Mary is most often depicted in light blue, which undoubtedly had influence.

The earliest known examples of pink-clad girls and blue-clad boys are found in the 1940’s, seemingly as a result of marketing strategies by companies to push individualized merchandise. This seems probable to me, as indeed if one has a female child followed by a male, everything would need to be repurchased. Though the question remains: why pink and blue?

There are a number of experiments (sourced below) that have been run to determine whether or not an innate preference exists, but I am dissatisfied with most of the results. One experiment suggests that humans in general may prefer shades of red. Another suggest that there are physical differences in the eyes that may be the result of our hunter/gatherer days. The fact remains that blue/pink as a rule was only very recently created and I think it is worth considering the ways in which it can be damaging. At best, it is just unnecessary.

For further reading, I recommend the work of Jo Paoletti from the University of Maryland.

Sources:
Alexander, Gerianne M. and Hines, Melissa. “Sex Differences in Response to Children’s Toys in Nonhuman Primates (Cercopithecus aethiops sabaeus).” Evolution and Human Behavior 23 (2002), pp. 467–479
Eysenck, H. J. (1941). A critical and exprimental study of color preferences. American Journal of Psychology
Guilford, J. P. & Smith, P. C. (1959). A system of color-preferences.
Hulbert and Ling (2007). Biological components of sex differences in colour preference.
Maglaty, Jeanne. (2011) When did girls start wearing pink? Retrived from http://www.smithsonianmag.com/arts-culture/When-Did-Girls-Start-Wearing-Pink.html?c=y&page=2
McInnis, J. H. & Shearer, J. K. (1964). Relationship between color choices and selected preferences for the individual.
Paoletti, Jo B., “The Gendering of Infants’ and Toddlers’ Clothes in America,” The Material Culture of Gender – The Gender of Material Culture, Katharine Martinez and Kenneth L. Ames, eds. (1997)
Paoletti, Jo B. “Clothing and Gender in America: Children’s Fashions, 1890-1920.” Signs, v. 13, no. 1, Women and the Political Process in the United States (Autumn, 1987), pp. 136-143
“The Baby Show.” New York Times, June 6, 1855, p. 1

Movement Therapy: Meeting Your Body Again

There are infinite possibilities for movement, yet we engage only a very small portion of them. The body is a pure source of language and our  movements are expressions of that language, like words. When you move, you are saying something. And what you are saying is directly related to your emotions, because they are intertwined. Movement is direct expression, making movement therapy a path to intimate knowledge of your emotions.

Your unique body moves in ways particular to you, but over months and years of experience, you begin to move habitually rather than naturally. It is easy to begin moving in only straightforward, functional ways: to get somewhere, reach something, support your back through a class, etc. But there exists a myriad of other movements that also serve a purpose, because they say something about your internal world. The more you tend toward moving functionally, the less of a voice your body has.

Therapy is about regaining that voice. With a safe environment in which to move, you can stumble upon your authentic movements. And by being mindful of these movements, you can begin to explore your internal landscape. Often you will find repetitions and themes in your movement, which lead to new or rediscovered understandings of what is happening in you.

For some rich, introductory reading about movement therapy, check out Helen Payne’s book, Dance Movement Therapy.